Charles Dickens, Tatjana Hauptmann (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Tomi Ungerer, Tomi Ungerer (Ill.)
Donna Leon
Donna Leon
Donna Leon
Tomi Ungerer, Tomi Ungerer (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Donna Leon
Erich Hackl
Hugo Loetscher
Tomi Ungerer, Daniel Kampa (Hg.), Tomi Ungerer (Ill.)
Donna Leon
Astrid Rosenfeld
Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Liaty Pisani
Friedrich Dürrenmatt
Lukas Hartmann, Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Doris Dörrie
Martin Suter
Martin Suter
Erich Hackl
Slawomir Mrozek
Slawomir Mrozek
Petros Markaris
Lukas Hartmann
Woody Allen, Marshall Brickman
Erich Hackl
Peter Urban (Hg.)
Petros Markaris
Claus-Ulrich Bielefeld, Bielefeld & Hartlieb, Petra Hartlieb
Erich Hackl
Friedrich Dürrenmatt
Andrzej Szczypiorski
Woody Allen's screenplays are some of the wittiest and most sophisticated of modern cinema classics, and his scripts reflect the emotional range of his talent. In ›Annie Hall‹ New York comedian Alvy Singer reflects ruefully upon a failed relationship. When he first met Annie Hall on a tennis date, she was an insecure wallflower in trousers, vest and tie. But they shared a self-deprecating sense of humour, plus certain deep-seated neuroses, and love soon blossomed. Alvy supported Annie's hopes for a singing career and encouraged her to broaden her talents. But ironically, her increasing self-assurance, coupled with Alvy's obsession with death and his seeming inability to enjoy himself (›Life is divided between the horrible and the miserable‹), spelt trouble for their affair. ›Annie Hall‹ is a bittersweet comedic masterpiece, rich in irony, invention, romantic insights and classic Woody Allen one-liners. It won Academy Awards for Best Director, Best Actress, Best Original Screenplay and Best Picture of 1977.