F.K. Waechter, F.K. Waechter (Ill.)
Christian Schünemann
Otto A. Böhmer
Tomi Ungerer, Tomi Ungerer (Ill.)
Doris Dörrie
Martin Suter
Alfred A. Häsler
Walter Nigg
Urs Widmer
Walter Nigg
Sibylle Mulot
Urs Widmer
Maria Elisabeth Straub
Anne Diekmann (Hg.), Willi Gohl (Hg.), Tomi Ungerer (Ill.)
Tatjana Hauptmann, Christian Strich (Hg.), Tatjana Hauptmann (Ill.)
Johannes Carstensen, Tatjana Hauptmann
Hartmut Lange
Sibylle Mulot
Tomi Ungerer, Tomi Ungerer (Ill.)
Slawomir Mrozek, Chaval (Ill.)
Slawomir Mrozek, Chaval (Ill.)
Friedrich Dürrenmatt
Walter Nigg
Hansjörg Schneider
Urs Widmer
Bernd Eichinger (Hg.)
Hans Werner Kettenbach
Hartmut Lange
Tomi Ungerer, Tomi Ungerer (Ill.)
Friedrich Dürrenmatt
Friedrich Dürrenmatt
Hansjörg Schneider
Bernhard Schlink
Hans Werner Kettenbach
John Vermeulen
Leon de Winter
Tomi Ungerer, Tomi Ungerer (Ill.)
Leon de Winter
John Vermeulen
Donna Leon
Donna Leon
Donna Leon
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Anthony McCarten
Magdalen Nabb
Patricia Highsmith, Paul Ingendaay (Hg.)
Ludwig Marcuse
Hartmut Lange
F.K. Waechter, F.K. Waechter (Ill.)
F.K. Waechter, F.K. Waechter (Ill.)
Friedrich Dürrenmatt
Urs Widmer
Christian Schünemann
Hugo Loetscher
Slawomir Mrozek
Friedrich Dönhoff
Christian Schünemann
F.K. Waechter, F.K. Waechter (Ill.)
Urs Widmer
Ingrid Noll
Luis Murschetz
Jakob Arjouni
Friedrich Dürrenmatt
Tatjana Hauptmann, Theodor Storm, Tatjana Hauptmann (Ill.)
F.K. Waechter, F.K. Waechter (Ill.)
Martin Suter
Lukas Hartmann
Martin Suter
Tilman Spreckelsen
Doris Dörrie
Luis Murschetz
Friedrich Dürrenmatt
Friedrich Dürrenmatt
Friedrich Dürrenmatt
Friedrich Dürrenmatt, Peter Rüedi, Urs Widmer
Slawomir Mrozek
Viktorija Tokarjewa
Hugo Loetscher
Friedrich Dürrenmatt
F.K. Waechter, F.K. Waechter (Ill.)
Christoph Poschenrieder
Friedrich Dürrenmatt
Walter Nigg
Martin Suter
Hartmut Lange
Friedrich Dürrenmatt
Bernhard Schlink
Hartmut Lange
Hugo Loetscher
Viktorija Tokarjewa
Tomi Ungerer, Tomi Ungerer (Ill.)
Ingrid Noll
Hugo Loetscher
Hartmut Lange
Tomi Ungerer
Viktorija Tokarjewa
Martin Suter
Friedrich Dürrenmatt
Sibylle Mulot
Hugo Loetscher
Friedrich Dürrenmatt
Slawomir Mrozek
F.K. Waechter, F.K. Waechter (Ill.)
Jean-Jacques Sempé, Patrick Süskind
Slawomir Mrozek
Bernhard Schlink
Ingrid Noll
Bernhard Schlink
Erich Hackl
Tomi Ungerer, Tomi Ungerer (Ill.)
Alfred Andersch
Alfred Andersch
Hans Werner Kettenbach
Hugo Loetscher
Friedrich Dürrenmatt
Bernd Eilert, F.K. Waechter, F.K. Waechter (Ill.)
F.K. Waechter
Friedrich Dürrenmatt
Friedrich Dürrenmatt
F.K. Waechter
Alfred Andersch
Hans Werner Kettenbach
Tatjana Hauptmann, Urs Widmer, Tatjana Hauptmann (Ill.)
F.K. Waechter, F.K. Waechter (Ill.)
Ingrid Noll
Lukas Hartmann
Christian Schünemann
Walter Heinrich
Patrick Süskind
Luis Murschetz
Sibylle Mulot
Sibylle Mulot
Tatjana Hauptmann, Franz Kafka, Tatjana Hauptmann (Ill.)
Christoph Poschenrieder
Friedrich Dürrenmatt
Martin Suter
Walter Muschg, Julian Schütt (Hg.), Winfried Stephan (Hg.)
Uwe Timm, Tatjana Hauptmann (Ill.)
Paul Flora, Paul Flora (Ill.)
Erich Hackl
Andrej Kurkow
Donna Leon
Donna Leon
Patrick Süskind
Donna Leon
Peter Rüedi
Commissario Brunetti’s Twentieth Case. Late one night, Brunetti is called away from dinner to investigate the death of a widow in her modest apartment. Though there are some signs of a struggle, the medical examiner rules that she died of a heart attack. It seems there is nothing for Brunetti to investigate. But he can not shake the feeling that something or someone may have triggered her heart attack, that perhaps the woman was threatened. Conversations with the woman’s son, her upstairs neighbour, and the nun in charge of the old-age home where she volunteered, do little to satisfy Brunetti’s nagging curiosity. With the help of Inspector Vianello and the ever-resourceful Signorina Elettra, perhaps Brunetti can get to the truth and find some measure of justice. Insightful and emotionally powerful, ›Drawing Conclusions‹ reaffirms Donna Leon’s status as one of the masters of literary crime fiction.
»Hard to believe - but let's be grateful - that Commissario Guido Brunetti is on his twentieth case... Essential.«Library Journal
»Aficionados of literary mysteries such as those written by P.D. James and Michael Dibdin will revel in this stellar book.«Library Journal (starred review)
»Leon’s twentieth novel starring Venetian police Commissario Guido Brunetti is one of her best. [...] Leon’s popularity among mystery fans has grown steadily, but over the last several years, she has become a must-read for all those who favor character-driven crime stories.«Booklist (starred review)
»The compelling characters and complex plot in Leon's ›Drawing Conclusions‹ place it among her best. The atmosphere of the city, along with Leon's sharp insights and powerful narrative, validate her often-recognized status as a master of literary crime fiction.«Minneapolis Star-Tribune
»Leon provides a vivid view of Venice, balancing the city’s ›glory days‹ with the reality of ›the flaking dandruff of sun-blasted paint peeling from shutters‹.«Publishers Weekly
»As languid in its movement as a gondola ride. Yet none of Brunetti’s earlier cases is as remorselessly clear in connecting the delicately comic anti-authoritarian gestures Brunetti winks at to the miasma of corruption that hangs over his beloved Venice.«Kirkus Reviews
»Donna Leon does for Venice what Tony Hillerman did for Navajo country and Ed McBain did for New York City.«Milwaukee Journal Sentinel
»From the very first page, you are drawn into the story with no desire to leave it until the final line.«I Love A Mystery
»A great tale. ... Readers will relish sailing the watery streets of Venice with the caring Commissario who understands justice and the law are not always in synch.«The Midwest Book Review
»Brilliant writing.«BookReporter.com
Donna Leon's vivid, atmospheric writing brings the city of Venice and its sights, sounds and smells to life, and her charming cast of characters and sense of social justice make her novels a delight to read. [...] Suspenseful and satisfying.Schuler Books and Music
»Remarkably, for a long-running series, Leon’s characters are more interesting now than they were eighteen years ago. Even more remarkably, Leon’s own skills, honed over so many books, have grown and matured, and that makes this most recent novel her best book so far.«The Globe and Mail
»One of the most exquisite and subtle detective series ever.«The Washington Post
»Donna Leon is the ideal author for people who vaguely long for a ›good mystery‹. That Leon is also a brilliant writer should only add to the consistently comforting appeal of her Venetian procedurals featuring Commissario Guido Brunetti.«The New York Times Book Review
»Donna Leon has a wonderful feel for the hidden evils that lie below the façade of the magical city.«The Times
»There's a quietness to the crimes here that is more powerful than outlandish violence, and which points to the philosophical bedrock from which Donna Leon so effectively works.«Scottish Sunday Herald
»Donna Leon's novels are really studies in human nature, both good and bad, and as a result are far more interesting than mere tales of shooty-shooty bang-bang.«The Evening Standard
»With the steady, unsentimental style that has become her signature, Donna Leon keeps us hesitating until the last corner is turned.«The Times Literary Supplement
»In an age of diminished civic and religious authority, the commissario ... must make Jesuitical decisions of his own ... [and] he comes down (as we know he will) on the side of the angels.«The Wall Street Journal
»If you read only one mystery this year, make it this one.«Library Journal