- Tales Of Natural And Unnatural Catastrophes
Patricia Highsmith, Paul Ingendaay (Hg.)
- Tante Joice und die Lust am Leben
Hans Werner Kettenbach
- Terror ljubvi
Viktorija Tokarjewa
- The Anomalies
Joey Goebel
- The Black House
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Blunderer
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Boy who Followed Ripley
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Enchanted Horse
Magdalen Nabb
- The English Harem
Anthony McCarten
- The Girl of His Dreams
Donna Leon
- The Glass Cell
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Hat
Tomi Ungerer
- The Innocent
Magdalen Nabb
- The Lion in the Attic
Ute Krause, Ute Krause (Ill.)
- The Marshal and the Madwoman
Magdalen Nabb
- The Marshal and the Murderer
Magdalen Nabb
- The Marshal at the Villa Torrini
Magdalen Nabb
- The Marshal Makes His Report
Magdalen Nabb
- The Marshal’s Own Case
Magdalen Nabb
- The Monster of Florence
Magdalen Nabb
- The Party
Tomi Ungerer
- The Price of Salt
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Snail Watcher
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Sorcerer’s Apprentice
Barbara Hazen, Tomi Ungerer, Tomi Ungerer (Ill.)
- The Still Point of the Turning World
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Tremor of Forgery
Patricia Highsmith, Paul Ingendaay (Hg.)
- The trouble with Mrs Blynn – the trouble with the world
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Two Faces of January
Patricia Highsmith, Paul Ingendaay (Hg.)
- Theater
Friedrich Dürrenmatt
- This Sweet Sickness
Patricia Highsmith, Paul Ingendaay (Hg.)
- Those Who Walk Away
Patricia Highsmith, Paul Ingendaay (Hg.)
- Through a Glass Darkly
Donna Leon
- Tomi Ungerers fünf fabelhafte Fabeltiere
Tomi Ungerer
- Torture the Artist
Joey Goebel
- Tragische Literaturgeschichte
Walter Muschg
- Tremolo
Tomi Ungerer, Tomi Ungerer (Ill.)
- Turbulenzen
Rolf Dobelli
- Tussen God en de Zee
John Vermeulen
- Twilight Ghost
Magdalen Nabb
remember
printMagdalen Nabb
Twilight Ghost
Published by Diogenes as Ein neuer Anfang
Carrie has had to get used to quite a lot recently: her father has a new job which often keeps him away from home for days on end, her mother took a full-time job to augment the family income, and the family is obliged to move in with the wheel-chair-bound grandmother whom Carrie never liked anyway. True, Carrie can stay at the same school despite the move and carry on her friendship with Kathy whom she has known since they were both babies, but the friendship has cooled down recently since Carrie is bored with maths and sport, doesn’t like music, and refuses to continue going to ballet classes with her friend. But most of all, Carrie hates the house she has moved into with her family. It belongs to her grandmother, it is old and musty and has a desolate, winter-grey garden, but the worst thing is that Carrie sees things there that do not really exist. When she comes home at dusk she sees a girl standing at the attic window dressed in old-fashioned white clothes ...
