Patricia Highsmith, Paul Ingendaay (Hg.)
Slawomir Mrozek
Hans Werner Kettenbach
Walter Nigg
Viktorija Tokarjewa
Joey Goebel
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Magdalen Nabb
Anthony McCarten
Donna Leon
Patricia Highsmith, Paul Ingendaay (Hg.)
Tomi Ungerer
Magdalen Nabb
Ute Krause, Ute Krause (Ill.)
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Tomi Ungerer
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Barbara Hazen, Tomi Ungerer, Tomi Ungerer (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Friedrich Dürrenmatt
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Donna Leon
Hansjörg Schneider
Tomi Ungerer
Joey Goebel
Walter Muschg
Tomi Ungerer, Tomi Ungerer (Ill.)
Rolf Dobelli
John Vermeulen
Magdalen Nabb
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»We got it: this book of youth revolution - which might bring us to mind ›High Fidelity‹ by Nick Hornby – this crazy comedy in which the irony is ›pushed to its peek‹, as the author said by himself, this book is a means to denunciate our mass culture.«Le Monde
»Young Joey Goebel is a born writer, one of those fated originals upon whose brainpan the mad language elves have drummed with their rubidium wands. Brutally insightful, ferociously funny – yet somehow strangely touching – ›The Anomalies‹ is the freshest novel so far of the twenty-first century.«Tom Robbins, author of Even Cowgirls Get
»Against this type of storytelling, the contemporary stars of American realism - from Philip Roth to Jonathan Franzen - as well as the established postmodernists - from the late Donald Barthelme to Paul Auster - seem like a bunch of schmucks. At the moment, Joey Goebel is only surpassed by himself.«Die Zeit