Patricia Highsmith, Paul Ingendaay (Hg.)
Hans Werner Kettenbach
Viktorija Tokarjewa
Joey Goebel
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Magdalen Nabb
Anthony McCarten
Donna Leon
Patricia Highsmith, Paul Ingendaay (Hg.)
Tomi Ungerer
Magdalen Nabb
Ute Krause, Ute Krause (Ill.)
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Tomi Ungerer
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Barbara Hazen, Tomi Ungerer, Tomi Ungerer (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Friedrich Dürrenmatt
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Donna Leon
Tomi Ungerer
Joey Goebel
Walter Muschg
Tomi Ungerer, Tomi Ungerer (Ill.)
Rolf Dobelli
John Vermeulen
Magdalen Nabb
Homicide, suicide or accident? When a member of one of the oldest noble families in Florence dies suddenly, the only acceptable interpretation is accident. But Marshal Guarnaccia doesn't believe what happened at the Palazzo Ulderighi was an accident, although he'll be risking his career if he says so. The marshal has a way of making his presence felt, and it isn't long before the »accident« is acknowledged as suicide. Still the marshal isn't satisfied, and while he claims he isn't the Marchesa of killing her husband, exaclty what does he believe?