Patricia Highsmith, Paul Ingendaay (Hg.)
Hans Werner Kettenbach
Viktorija Tokarjewa
Joey Goebel
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Magdalen Nabb
Anthony McCarten
Donna Leon
Patricia Highsmith, Paul Ingendaay (Hg.)
Tomi Ungerer
Magdalen Nabb
Ute Krause, Ute Krause (Ill.)
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Magdalen Nabb
Tomi Ungerer
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Barbara Hazen, Tomi Ungerer, Tomi Ungerer (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Friedrich Dürrenmatt
Patricia Highsmith, Paul Ingendaay (Hg.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Donna Leon
Tomi Ungerer
Joey Goebel
Walter Muschg
Tomi Ungerer, Tomi Ungerer (Ill.)
Rolf Dobelli
John Vermeulen
Magdalen Nabb
Dürrenmatt's essays are among his most impressive achievements. Their range alone is astonishing: he wrote with authority and charm about art, literature, philosophy, politics, and the theater. His best known essays are ›Theatre Problems‹, ›The Winter War in Tibet‹, ›The Bridge‹, ›The Brain‹, ›Vinter‹ and ›Monster Essay on Justice and Law‹.