- Tales Of Natural And Unnatural Catastrophes
Patricia Highsmith, Paul Ingendaay (Hg.)
- Tante Joice und die Lust am Leben
Hans Werner Kettenbach
- Terror ljubvi
Viktorija Tokarjewa
- The Anomalies
Joey Goebel
- The Black House
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Blunderer
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Boy who Followed Ripley
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Enchanted Horse
Magdalen Nabb
- The English Harem
Anthony McCarten
- The Girl of His Dreams
Donna Leon
- The Glass Cell
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Hat
Tomi Ungerer
- The Innocent
Magdalen Nabb
- The Lion in the Attic
Ute Krause, Ute Krause (Ill.)
- The Marshal and the Madwoman
Magdalen Nabb
- The Marshal and the Murderer
Magdalen Nabb
- The Marshal at the Villa Torrini
Magdalen Nabb
- The Marshal Makes His Report
Magdalen Nabb
- The Marshal’s Own Case
Magdalen Nabb
- The Monster of Florence
Magdalen Nabb
- The Party
Tomi Ungerer
- The Price of Salt
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Snail Watcher
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Sorcerer’s Apprentice
Barbara Hazen, Tomi Ungerer, Tomi Ungerer (Ill.)
- The Still Point of the Turning World
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Tremor of Forgery
Patricia Highsmith, Paul Ingendaay (Hg.)
- The trouble with Mrs Blynn – the trouble with the world
Patricia Highsmith, Paul Ingendaay (Hg.)
- The Two Faces of January
Patricia Highsmith, Paul Ingendaay (Hg.)
- Theater
Friedrich Dürrenmatt
- This Sweet Sickness
Patricia Highsmith, Paul Ingendaay (Hg.)
- Those Who Walk Away
Patricia Highsmith, Paul Ingendaay (Hg.)
- Through a Glass Darkly
Donna Leon
- Tomi Ungerers fünf fabelhafte Fabeltiere
Tomi Ungerer
- Torture the Artist
Joey Goebel
- Tragische Literaturgeschichte
Walter Muschg
- Tremolo
Tomi Ungerer, Tomi Ungerer (Ill.)
- Turbulenzen
Rolf Dobelli
- Tussen God en de Zee
John Vermeulen
- Twilight Ghost
Magdalen Nabb
remember
printMagdalen Nabb
The Monster of Florence
Published by Diogenes as Das Ungeheuer von Florenz
After all the years that Marshal Guarnaccia has commanded the Carabinieri Station housed in Florence's Pitti Palace, great paintings are as familiar a part of his life as the snarled-up traffic. Still, if he joins battle with a successful forger, it is only as a favour to an old friend - and because the man fascinates him. Then he is dragged into a last-ditch attempt to nail a serial killer, only to find himself faced with a forgery in his own line of business, where the issues prove distressingly familiar. Nobody wants to know the truth about a fake. And if a false case is made against the wrong man, who is going to admit it?
