Tales of Natural and Unnatural Catastrophes
Published by Diogenes as Geschichten von natürlichen und unnatürlichen Katastrophen
Original Title: Tales of Natural and Unnatural Catastrophes

›The thing looked bluish-white, was about fifteen centimetres high, rounded at the top with what looked like a convolution or crease half way down it that disappeared in the earth. (…) Oktavian returned to the gravediggers, and realized that he had been holding his breath. He supposed, he was almost sure, that the growths out there in the darkness were highly contaminous. They would combine the carcinogens injected by the doctors as well as the original berserk cells that had caused the cancer. How large would they become? And what was nourishing them? Terrifying questions! Oktavian, like most medical students, sent chums an odd part of the human anatomy once in a while. It was almost a token of affection when a fellow received such a present in the post from a girl student, but something like this? No.‹ Grotesque ulcerations, which grow to immense sizes; huge cockroaches resistant to all forms of insecticides, which take over the control of a New York apartment building; whales, the pope, a weapon-loving US president – all provide the material of which modern (natural and unnatural) catastrophes are made.

Contemporary Literature
272 pages
1988

978-3-257-01767-0
Patricia
Highsmith

Patricia Highsmith (1921 – 1995), born in Fort Worth, Texas, grew up in Texas and New York and studied Literature and Zoology. She wrote her first short stories while still in high school and initially earned a living as a comic book writer. She had her first international hit in 1950 with her debut novel Strangers on a Train, and the film adaptation by Alfred Hitchcock catapulted her to worldwide fame. Patricia Highsmith died in Locarno in 1995.

Photo: © Archiv Diogenes Verlag

Pressezitate

The New Yorker
»These stories leave us haunted with after-images that will tremble - but stay in our minds.«