Charles Dickens, Tatjana Hauptmann (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Tomi Ungerer, Tomi Ungerer (Ill.)
Donna Leon
Donna Leon
Donna Leon
Tomi Ungerer, Tomi Ungerer (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Donna Leon
Erich Hackl
Hugo Loetscher
Tomi Ungerer, Daniel Kampa (Hg.), Tomi Ungerer (Ill.)
Donna Leon
Astrid Rosenfeld
Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Liaty Pisani
Friedrich Dürrenmatt
Lukas Hartmann, Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Doris Dörrie
Martin Suter
Martin Suter
Erich Hackl
Slawomir Mrozek
Slawomir Mrozek
Petros Markaris
Lukas Hartmann
Woody Allen, Marshall Brickman
Erich Hackl
Peter Urban (Hg.)
Petros Markaris
Claus-Ulrich Bielefeld, Bielefeld & Hartlieb, Petra Hartlieb
Erich Hackl
Friedrich Dürrenmatt
Andrzej Szczypiorski
The world in the year 2064. Overpopulation? Famine? Religious wars? Dictatorships? On the contrary. At least, not in the Eurasian and North American regions. Securely fenced off from the rest of the world, life in these areas, with the exception of a handful of suicide bombings and regular border disputes, is constantly improving. Nowhere more so than at »Chez Max – German Cuisine«, a small, top-quality restaurant located in Paris’ eleventh arrondissement. Its customers are, however, not only served fine food, but carefully monitored, their conversations overheard – because Max is not only the restaurant manager, but also an Ashcroft agent, a member of a secret government organisation whose mission is to promptly identify and weed out anything that may threaten the political status quo. Max leads a full and orderly life, oscillating between professional success and social commitment. The only spanner in the works is his Ashcroft partner, Chen Wu, a self-righteous loudmouth, who leaves no taboo unbroken, attacks every human weakness and takes liberties at will - all because of the spectacular successes he has achieved within the organisation. Until the day that Wu’s own weakness is revealed and Max sees an opportunity to get rid off his partner once and for all.
»Arjouni presents an intelligent reality satire that, provided with the minutious psychogram of its main character, helps understanding how mass hysteria functions. With provoking subjects and direct style the 42-year old recently had a subscription for the bestseller list. Damn important that this holds true for his best novel so far, too.«Kulturnews
»As gripping as Arjouni’s early Kayankaya-Cases. (...) In the end you have been entertained frantically well.«St. Galler Tagblatt
»With ›Chez Max‹, Jakob Arjouni has written the most original novel yet about the events of 9/11.«SonntagsZeitung