The new novel by best-selling author Martina Borger.

When happiness, and catastrophe come dangerously close.

A child and a job – lots of love, not much time. A novel drawn straight from real life.

A job, a life, and a young son – single mother Sina has been juggling for years, but now her new partner Torsten is supporting her in the act. Plus, they have Ellen, an environmental campaigner in her late sixties who has exactly what Sina’s son Elvis wants so much: time, patience – and a dog. But then something bad happens to the sensitive boy. He keeps his secret bottled up and a fatal web of rumours spreads around the patchwork family.

These letters are meant for a red biscuit tin rather than for their addressee. Otherwise Simone would never commit to paper that which she dares to reveal in them: The story of a great love and an equally great insult, and an attempt to turn her life around. Suddenly the memories seem to be forcing their way onto the page, transporting reader and writer alike into a state of heightened tension, which only begins to abate as the psychological drama is revealed and the pain that has been kept under wraps for so long is acknowledged. An artfully constructed and gradual escalation into a familial worst case scenario – with so many comical and moving moments, that the reader doesn't know whether to laugh or to cry.

Really, it was supposed to be a carefree jubilee outing. For the tenth time, three women friends in their early forties set out on their short annual excursion, this time to Bruges in Belgium: Dodo, impulsive and energetic, a single parent, frequently in financial difficulties; the beautiful, reserved Claire, who has made a career as a gallery owner in Munich; and the down-to-earth Nora, a mother and the wife of a lawyer, the only one of the three to have stayed where they all come from, in Pinneberg in northern Germany. That is where they grew up together, went to school, passed through adolescence and first love affairs, shared joys and sorrows – and cats' tongues, the symbol of a careless, intensive friendship. But the outing which began so lightly develops into a journey into the past which, as it soon transpires, was nothing like as carefree as it had seemed. Long and carefully guarded secrets come to light, and the much-mooted friendship is sorely tried. Cats' Tongues tells the story of three women who are closely bound up with each other from three different perspectives. Gradually, a picture forms out of the different points of view, a picture that is as multi-faceted as life and the three protagonists themselves – in turn witty, sad, hurtfully callous, and surprisingly loving.

A family has rented a houseboat and is planning to spend an inspiring holiday on the English canals. Luisa and Daniel look forward to forgetting about everyday life and to having time for each other again for the first time in a long while. Their children Lea and Jasper, both at a difficult age, have agreed to the family trip, because Jasper's nice friend Can is joining in the fun. In addition, Emma is expected to come, Daniel's exceptionally pretty daughter from an affair he had fifteen years ago. And besides, the parents do not need to know about everything that happens. Sure enough, things occur that nobody expected, and the boat feels increasingly crowded. A trip which becomes everything but a relaxing holiday, cleverly told by switching between various perspectives.