Jörg Fauser’s poems from the early years, 1974 to 1979, are political, intoxicated, romantic and revelatory – newly introduced with a foreword by author Björn Kuhligk.

»We were [. . .] rebuked again and again, accused of having dragged the poem out of its noble realm onto the landfill site, amongst the broken refrigerators, the rusted beer cans, the dirty undergarments. According to this world view, if one wants to call it that, our audience mainly consists of unwashed, uneducated louts, without history, without nation; of hash addicts, whores, junkies, rock’n’roll freaks, those who are hopeless and lost to society, devoid of any accomplishment, any future . . . In reality, of course, our audience – like that of our critics – is made up of shy shorthand typists, German teachers with two Siamese cats, and at least as many future pastoral ministers as customs inspectors. And a dangerous criminal here and there; it depends very much on whether people are given the opportunity to learn to read.« 
( Jörg Fauser in tip magazine 22 /1980)

In Simone Lappert’s poetry, thoughts grow moss and the moon glows silicon-bright. Love tastes of quince, disaster of strawberry, and the poet asks herself, asks us: tell me, how do you get through the winter without a future? 

These are poems about departures, yearnings, self-determination and the fragile present, concentrating all the senses and materialising all sense in texts full of beauty, wisdom and wit. 

This unusual Swiss artist’s biography is marking the 100th anniversary of Rainer Brambach’s birth. It is not only knowledgably researched but also entertainingly presented and featuring a picture section. At his death in 1983, the poet Rainer Brambach left behind some 140 poems and two dozen short stories – not a large body of work, but an outstanding, very distinct and refreshingly unacademic one. Deported from Switzerland, deserted from the Reich Labour Service and eventually arrested in Switzerland, the former painter, decorator and later gardener was an exceptional phenomenon in the country’s post-war literary scene. He reached his creative apex in the 1950s and 60s, when his poems appeared regularly in the prestigious literary journal Akzente – alongside the work of Enzensberger, Bachmann, Celan, Canetti and other great names of the era. Brambach was also a very close friend to his mentor, the poet Gunter Eich, his wife Ilse Aichinger and the writer and publisher Hans Bender. Franziska Schurch and Isabel Koellreuter have sifted through memories of colleagues and fellow travellers, archives and Rainer Brambach’s literary output. The result is a multi-layered and fascinating biography of an eloquent Swiss poet’s unusual life.