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Photo of Patricia Highsmith, © Archiv Diogenes Verlag
Patricia Highsmith

Patricia Highsmith (1921 – 1995), born in Fort Worth, Texas, grew up in Texas and New York and studied Literature and Zoology. She wrote her first short stories while still in high school and initially earned a living as a comic book writer. She had her first international hit in 1950 with her debut novel Strangers on a Train, and the film adaptation by Alfred Hitchcock catapulted her to worldwide fame. Patricia Highsmith died in Locarno in 1995.

Photo: © Archiv Diogenes Verlag

Books

Patricia Highsmith
The Animal-Lover's Book Of Beastly Murder / Little Tales Of Misogyny
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Patricia Highsmith
Tales of Natural and Unnatural Catastrophes
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Patricia Highsmith
Mermaids on the Golf Course and Other Stories
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Patricia Highsmith
The Animal-Lover's Book Of Beastly Murder / Little Tales Of Misogyny
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Patricia Highsmith
Tales of Natural and Unnatural Catastrophes
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Patricia Highsmith
Mermaids on the Golf Course and Other Stories
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Series

Volume 1
Patricia Highsmith
The Talented Mr. Ripley
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Volume 5
Patricia Highsmith
The Boy who Followed Ripley
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Volume 1
Patricia Highsmith
The Talented Mr. Ripley
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Volume 5
Patricia Highsmith
The Boy who Followed Ripley
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Quotes

Janet Maslin
The New York Times
»Many of her stories reflect the kind of breathtaking misanthropy that could only have been achieved over a lifetime. And virtually all share the same sense of macabre inevitability, which means that the number of stories end up in almost that many deaths. Ms. Highsmith was never one for halfway solutions. What is interesting about Ms. Highsmith is that instead of describing such an denouement with suitably ghoulish overtones, she typically treats it in almost businesslike fashion. Her interest is in the generally unspeakable tensions and resentments that lead up to such outbursts, not in the messy side of murder.«
Simon Shaw
Mail on Sunday
»Patricia Highsith was the undisputed mistress as well as one of the creators of the modern psychological crime novel.«
The New Yorker
»Patricia Highsmith keeps moving, darting in and out of our fields of vision, making afterimages that will tremble – but stay – in our minds.«
The Times, London
»For eliciting the menace that lurks in familiar surroundings, there's no one like Patricia Highsmith.«
»Patricia Highsmith is a giant of the genre. The original, the best, the gloriously twisted Queen of Suspense.«
Daily Telegraph
»Patricia Highsmith was every bit as deviant and quirky as her mischievous heroes, and didn't seem to mind if everyone knew it.«
The Times
»Patricia Highsmith should be considered an essential postwar writer who captured the neurotic apprehensions of her times. By her hypnotic art Patricia Highsmith puts the suspense story into a toweringly high place in the hierarchy of fiction.«
The Times, London
»Patricia Highsmith, the greatest of all crime writers.«
Auberon Waugh
»One thinks of comparing Miss Highsmith only with herself; by any other standard of comparison, one must simply cheer.«
Sunday Times, London
»To call Patricia Highsmith a thriller writer is true but not the whole truth: her books have stylistic texture, psychological depth, mesmeric readability.«
Le Monde, Paris
»Although she is today one of the world's most widely read contemporary authors, there is still more of Patricia Highsmith to discover…«
Graham Greene

»Miss Highsmith is a novelist whose books one can re-read many times. There are very few of whom one can say that. She has created a world of her own - a world claustrophobic and irrational which we enter each time with a sense of personal danger. [...] Highsmith is the poet of apprehension.«

Gore Vidal
»One of our greatest modernist writers.«
Mark Billingham
»Patricia Highsmith is a giant of the genre. The original, the best, the gloriously twisted Queen of Suspense.«
J.G. Ballard
Daily Telegraph, London
»Patricia Highsmith was every bit as deviant and quirky as her mischievous heroes, and didn't seem to mind if everyone knew it.«
The Times, London
»Patricia Highsmith should be considered an essential postwar writer who captured the neurotic apprehensions of her times. By her hypnotic art Patricia Highsmith puts the suspense story into a toweringly high place in the hierarchy of fiction.«
Gore Vidal

»For some unknown reason Patricia Highsmith, one of the most important modern narrators, is regarded as an author of crime novels. She is both.«

Alex Rühle
Süddeutsche Zeitung, Munich

»To read Highsmith’s stories is a delight, a real celebration.«

Tiziano Gianotti
La Repubblica, Rome

»In the best stories, there is a clarity in terms of composition and a unity in tone that reminds you of Edgar Allan Poe, staged with a backdrop that evokes Edward Hopper.«

Nadia Terranova
La Stampa, Torino

»Ripley has always been a source of inspiration for cinema, which is what makes him lively, shining and omnipresent still today.«

Laura Ventura
La Nación, Buenos Aires

»The grande dame of the thriller turns 100 and is more up to date than ever. Her creatures are patrolling the moral low life of our nature, committing their cruelest crimes.«

Maike Albath
Süddeutsche Zeitung, Munich

»Truly, Highsmith, who was an avid reader of Dostoevsky and Kierkegaard, illuminates the shimmering shades of good and evil.«

Jan Wilm
Neue Zürcher Zeitung, Zurich

»Highsmith's unfathomable nature is every bit as deep as Fyodor Dostoevsky or Joseph Conrad’s hellscapes.«

The Guardian, London

»... queen of psychological suspense.«

Amanda Craig

»Patricia Highsmith will take you on a journey, into temptation, passion, guilt, cruelty and danger. She is the voice that dogs you in the dark, seductive and persuasive, nightmarish yet irresistible.«

Jill Dawson

»I love the addictive quality of Highsmith's novels, her ›low hypnotic murmur‹ or the feverish, lyrical prose in Carol.«

Val McDermid

»Although I'm a great admirer of Patricia Highsmith's thrillers and the complex moral landscape she explores, for me the high watermark will always be Carol, aka The Price of Salt«

Geoffrey Macnab
The Independent, London

»Highsmith (1921-1995) introduced new layers of psychological complexity to the crime thriller, one key reason why filmmakers continue to be so attracted to her.«

Geoffrey Macnab
The Independent, London

»Whereas other crime writers’ work often becomes dated or seems tied to a specific period or place, Highsmith’s books have enduring and universal appeal.«

Andrew Wilson
The Sunday Times, London

»We are often drawn into Highsmith’s claustrophobic world like flies tentatively exploring the gossamer strands of a spider’s web.«

Terry Castle

»The canonization of Patricia Highsmith – doyenne of the psychological suspense novel, depressive homosexual, mean drunk, and one of the greatest, darkest American storytellers since Poe – has officially begun.«

Carmen Maria Machado
The Guardian, London

»When you read one of Highsmith’s stories, you’ve given her permission to follow you, catch you, take you apart. Get ready to run.«

Matthew Sperling
Apollo Magazine, London

»The 21st century – when imposture is at the heart of online life, when self-identification precedes authenticity – seems more and more like the age of Tom Ripley, Highsmith’s greatest creation.«

Élise Lépine
Alibi, Paris

»She revolutionized the detective novel by inventing, just after the Second World War, the psychological thriller.«

Nando Salvà
El Periódico, Barcelona

»Nobody describes the horror of murder more vividly.«

Scott Bradfield
The Spectator, London

»And ever since Hitchcock’s classic Strangers on a Train (1951), Highsmith grows more filmable every year, perhaps because our world is so swiftly catching up with the sort of people she wrote about: men and women who lie, commit forgery, and develop manipulative fictions to damage everyone around them.«

Guillermo Altares
El País, Madrid

»Her works keep their powerful attraction intact, the sensation that, by them, we draw closer to the abyss from which we are trying to run away from.«

Jake Kerridge
The Telegraph, London

»Reading her is like having a devil on your shoulder arguing that decency and good citizenship are boring and cowardly, and so compellingly that you’ve acquiesced before you know it.«

Charles den Tex and Anneloes Timmerije
De Volkskrant, Amsterdam

»She was also the first to make short work of the hitherto almost sacred dualism of good and bad, and cancelled out the traditional ending«

Rafael Narbona
El Cultural, Madrid

»With a concise and minimalistic style, inspired by Maupassant, Highsmith draws a character who is the pinnacle of the inversion of values postulated by Nietzsche and who tramples traditional values.«

Jürgen Kaube
Frankfurter Allgemeine Sonntagszeitung, Frankfurt

»Highsmith wanted to show the murderers, almost murderers and murder fantasists from the inside because it rarely shows from the outside.«

Linda Stift
Die Presse am Sonntag, Vienna

»The constant inner apprehension, which one is subject to while reading, does not end after the last sentence.«

John Vervoort
De Standaard, Brussels

»You should read Highsmith because she dared to look into the abyss where our blackest thoughts reside.«

Paula Hawkins
crimereads.com

»The notion that her books do not belong on those shelves because the complexity of their characters or the acuity with which they interrogate social mores, is laughable – for this is exactly what the very best crime novels do.
It is why they endure. It is why we find them irresistible.
And it is why we will likely be reading Patricia Highsmith for the next one hundred years, too.«

Hugh Montgomery
BBC, London

»The profusion of Ripley-esque stories is perhaps no coincidence. For the con-artistry of Ripley speaks more than ever to our Instagram age, where the carefully-curated and crafted image trumps reality.«

Terri-Jane Dow
Mslexia, Newcastle Upon Tyne

»Highsmith’s writing style keeps you on the edge of your seat.«

Terri-Jane Dow
Mslexia, Newcastle Upon Tyne

»Tense, compelling and disturbing, though her subject matter is, Highsmith’s writing is sharp and witty – and incredibly readable.«

News

Ripley reviewed in newspapers and online
In The Guardian, Lucy Mangan wrote in a 5-star-review: »Andrew Scott is absolutely spellbinding.[...] every ounce of his...
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Patricia Highsmith's Her Diaries and Notebooks causes a press buzz
Patricia Highsmith continues to cause a stir in the international press with Her Diaries and Notebooks about to be released...
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Patricia Highsmith’s diaries to be published simultaneously in 9 languages in 2021
Patricia Highsmith would turn 100 in 2021 – and Diogenes will publish Her Diaries and Notebooks on that occasion. After...
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Movie adaptations

2024
Ripley, Steven Zaillian
2021
Deep Water, Adrian Lyne
2021
Loving Highsmith, Eva Vitija
2016
A Kind Of Murder, Andy Goddard
2015
Carol / Salz und sein Preis, Todd Haynes
2014
The two faces of January, Hossein Amini
2009
Cry of the Owl, Jamie Thraves
2005
Ripley under Ground, Roger Spottiswoode
1999
The Talented Mr. Ripley, Anthony Minghella
1996
Once You Meet a Stranger, Tommy Lee Wallace
1993
Trip nach Tunis, Peter Goedel
1991
Der Geschichtenerzähler, Rainer Boldt
1989
L´Amateur de Frissons, Roger Andrieux
1989
Le jardin des Disparus, Mai Zetterling
1989
L´Epouvantail, Maroun Bagdad
1989
A Curious Suicide, Bob Biermann
1989
La ferme du malheur, Samuel Fuller
1989
Legitime Défense, John Berry
1987
Le cri du hibou, Claude Chabrol
1986
Die zwei Gesichter des Januars, Wolfgang Storch
1983
Tiefe Wasser, Franz Peter Wirth
1983
Ediths Tagebuch, Hans Werner Geissendörfer
1981
Eaux profondes, Michel Deville
1977
Dites-lui que je l’aime, Claude Miller
1977
Die gläserne Zelle, Hans Geissendörfer
1976
L’ami americain, Wim Wenders
1969
Once You Kiss a Stranger, Robert Sparr
1963
Le meurtrier; Enough Rope, Claude Autant-Lara
1962
Le meurtrier, Claude Autant-Lara
1959
Plein soleil, René Clément
1951
Strangers on a Train, Alfred Hitchcock

Awards

2015

Carol-Kinofilm von Todd Haynes bekommt ›Preis der Frankfurter Buchmesse‹ als ›beste literarische Verfilmung‹

1993

›Finnischer Krimipreis‹ der Suomen dekkariseura für ihr Gesamtwerk

1990

›Officier dans l'Ordre des Arts et des Lettres‹

1987

›Prix Littéraire‹ des Festival du cinéma américain von Deauville

1979

›Schwedischer Krimipreis‹ in der Kategorie ›Grand Master‹ der Svenska Deckarakademin als Auszeichnung für das Lebenswerk der Autorin

1975

›Grand Prix de l'Humour Noir‹ für L'Amateur d'escargot (dt. Der Schneckenforscher; Original: The Snail Watcher)

1964

›Dagger Award‹ in der Kategorie ›Best Foreign Novel‹ für The Two Faces of January (dt. Unfall auf Kreta/Die zwei Gesichter des Januars)

1957

›Grand prix de littérature policière‹ in der Kategorie ›International‹ für Plein Soleil – Monsieur Ripley (dt. Der talentierte Mr. Ripley; Original: The Talented Mr. Ripley)

1946

›O. Henry-Preis‹ in der Kategorie ›Best First-Published Story‹ für The Heroine (dt. Die Heldin. Dt. in: Der Schneckenforscher; in Original: The Snail Watcher)